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Digital Humanities: Digital Humanities Resources @ Pepperdine Libraries
A joint initiative of the University of Nebraska–Lincoln Libraries and the UNL College of Arts and Sciences, the Center for Digital Research in the Humanities is advancing collaborative, interdisciplinary research by creating unique digital content, developing text analysis and visualization tools, and encouraging the use (and refinement) of international standards.
This research center at George Mason University "uses digital media and computer technology to democratize history—to incorporate multiple voices, reach diverse audiences, and encourage popular participation in presenting and preserving the past."
The Cogut Center for the Humanities at Brown University supports collaborative research among scholars in the humanities, focusing on interdisciplinary and comparative work across cultural and linguistic boundaries
The mandate of the HCMC is to further research, teaching and learning in the faculty of Humanities, in particular the fields of Humanities Computing and Language Learning, and those aspects of other fields involving audio, video or computing technology
In addition to the humanities computing department, the University of Alberta also hosts one of the portals to TAPoR, http://tapor.ualberta.ca "TAPoR is the Text Analysis Portal for Research, a collaboration by six Canadian universities to build a centralized gateway to representative texts and sophisticated text analysis tools. The computing infrastructure is available to host and support research projects using text, text encoding, text transformation, and XML technologies."
Major themes addressed include the changing nature of scholarly publishing in a digital age, the different kinds of ‘gate-keepers’ for scholarship, and the difficulties of effectively assessing the impact of digital resources.
Answers the question, "What is digital humanities," and provides an in-depth examination of an emerging field. Explores methodologies and techniques unfamiliar to traditional modes of humanistic inquiry--including geospatial analysis, data mining, corpus linguistics, visualization, and simulation--to show their relevance for contemporary culture.
The application of computational techniques and visualisation technologies in the Arts and Humanities are resulting in fresh approaches and methodologies for the study of new and traditional corpora. This book discusses the implications and applications of 'Digital Humanities' and the questions raised when using algorithmic techniques.
A coherent and comprehensive treatment of digital scholarly editing, organized according to the typical timeline and workflow of the preparation of an edition: from the choice of the object to edit, the editorial work, post-production and publication, the use of the published edition, to long-term issues and the ultimate significance of the published work. The author also examines from a theoretical and methodological point of view the issues and problems that emerge during these stages with the application of computational techniques and methods.
Examines how transitioning from print to a digital milieu deeply affects how scholars deal with the work of editing critical texts. On one hand, forces like changing technology and evolving reader expectations lead to the development of specific editorial products, while on the other hand, they threaten traditional forms of knowledge and methods of textual scholarship.
This Companion offers an extensive examination of how new technologies are changing the nature of literary studies, from scholarly editing and literary criticism, to interactive fiction and immersive environments.
This book explores at great length the conceptualization of digital curation projects with interdisciplinary approaches that combine the digital humanities and history, information architecture, social networking, and other themes for such a framework.
With a wide range of subjects including gender-based assumptions made by algorithms, the place of the digital humanities within art history, data-based methods for exhuming forgotten histories, video games, three-dimensional printing, and decolonial work, this book assembles a who's who of the field in more than thirty impactful essays.
The prefix "hyper" refers to multiplicity and abundance. More than a physical space, a hypercity is a real city overlaid with information networks that document the past, catalyze the present, and project future possibilities.
National Endowment for the Humanities|Office of Digital Humanities Tweets