ENG 380.31 Dramatic Literature (Julie Quarles)

This volume brings together the three most influential ancient Greek treatises on literature. Aristotle's Poetics contains his treatment of Greek tragedy: its history, nature, and conventions, with details on poetic diction. Stephen Halliwell's authoritative introduction traces the work's debt to earlier theorists (especially Plato), its distinctive argument, and the reasons behind its enduring relevance.

Angela Curran introduces and assesses: Aristotle's life and the background to the Poetics, the ideas and text of the Poetics, the continuing importance of Aristotle's work to philosophy today.

Elizabeth Belfiore offers a striking new interpretation of Aristotle's Poetics by situating the work within the Aristotelian corpus and in the context of Greek culture in general. In Aristotle's Rhetoric, the Politics, and the ethical, psychological, logical, physical, and biological works, Belfiore finds extremely important but largely neglected sources for understanding the elliptical statements in the Poetics.

Throughout the centuries Aristotle's Poetics remained something of a mystery. What was the great philosopher trying to say about the nature of drama and storytelling? What did he mean by pity, fear and catharsis? In this book, Ari Hiltunen explains the mystery of the 'proper pleasure', which, according to Aristotle, is the goal of drama and can be brought about by using certain storytelling strategies.

This collection of essays deals individually with Wilson's five major plays and also addresses issues crucial to his canon: the role of history, the relationship of African ritual to African American drama, gender relations in the African American community, music and cultural identity, the influence of Romare Bearden's collages, and the politics of drama.

This book offers essays and interviews addressing Wilson's work, ranging from examinations of the presence of Wilson's politics in his plays to the limitations of these politics on contemporary interpretations of Black aesthetics.

A comprehensive study of August Wilson's drama introduces the major themes and motifs that unite Wilson's ten-play cycle about African American life in each decade of the twentieth century. Framed by Wilson's life experiences and informed by his extensive interviews, this book provides detailed readings of each play, well-situated in the extant scholarship. It also provides an overview of the cycle as a whole, demonstrating how it comprises a compelling interrogation of American culture and historiography. Wilson's improvisational logics become crucial to expressing his notions of black identity and resituating the relationship of literal to figurative in the African American community.

A comprehensive view of the plays of August Wilson. It looks at their thematic structure, places them within the context of American drama, and examines the distinctively African American experiences they dramatize. There is a chapter on The Piano Lesson.

Beginning with a brief biography of Shepard, Crank shows how experiences in Shepard's life eventually resonate in his work by exploring the major themes, unique style, and history of Shepard's productions. Focusing first on Shepard's early plays, which showcase highly experimental, frenetic explorations of fractured worlds, Crank discusses how the techniques from these works evolve and translate into the major works in his "family trilogy": Curse of the Starving Class, the Pulitzer Prize-winning Buried Child, and True West.

The essays collected here, ranging in topic from Gustavus Vassa/Olaudah Equiano to LeRoi Jones/Amiri Baraka, and in time from the Enlightenment to the Obama presidency, take a literary approach to black writing and present writers as readers and as intellectuals who were or are open to the world. Chapter 11 focuses on the play "Dutchman".

This is the first study to assess Fornes's complete body of work. Scott T. Cummings considers comic sketches, opera libretti and unpublished pieces, as well as her best-known plays, in order to trace the evolution of her dramaturgy from the whimsical Off-Off Broadway plays of the 1960s to the sober, meditative work of the 1990s.

The seven plays to date of Yasmina Reza, one of France's most prominent female playwrights, are popular both in France and abroad. This text seeks to unpack the essentials of Reza's style and to explore each play as a component of Reza's theatrical oeuvre.

Setting the movement in its historical, intellectual and cultural contexts, Bennett provides an in-depth overview of absurdism and its key figures in theatre and literature, from Samuel Beckett and Harold Pinter to Tom Stoppard. Chapters reveal the movement's origins, development and present-day influence upon popular culture around the world.

This book argues that Gao Xingjian's Idea of Theatre can only be explained by his broad knowledge and use of various Chinese and Western theatrical, literary, artistic and philosophical traditions. The author aims to show how Gao's theories of the theatre of anti-illusion, theatre of conscious convention, of the "poor theatre" and total theatre, of the neutral actor and the actor - jester - storyteller are derived from the Far Eastern tradition, and to what extent they have been inspired by 20th century Euro-American reformers of theatre

This work covers the canon of playwright Edward Albee. Comprehensive entries detail the plays and major characters. Other features include biographical information and insights into Albee's artistic beliefs, his understanding of the playwright's responsibility, the importance of music in drama, and the technical craft of writing plays.