ENG 350 British Literature Survey

The Digital Scriptorium is a growing image database of medieval and renaissance manuscripts that unites scattered resources from many institutions into an international tool for teaching and scholarly research.

As a visual catalog, DS allows scholars to verify with their own eyes cataloguing information about places and dates of origin, scripts, artists, and quality. Special emphasis is placed on the touchstone materials: manuscripts signed and dated by their scribes. DS records manuscripts that traditionally would have been unlikely candidates for reproduction. It fosters public viewing of materials otherwise available only within libraries. Because it is web-based, it encourages interaction between the knowledge of scholars and the holdings of libraries to build a reciprocal flow of information. Digital Scriptorium looks to the needs of a very diverse community of medievalists, classicists, musicologists, paleographers, diplomatists and art historians. At the same time Digital Scriptorium recognizes the limited resources of libraries; it bridges the gap between needs and resources by means of extensive rather than intensive cataloguing, often based on legacy data, and sample imaging.

Digital Scriptorium institutional partners have instituted a governance structure to plan jointly for the future of the program, in terms of scope, sustainability, and content.

Presently viewable on the DS website are records for 5,300 manuscripts and for 24,300 images.

Tiles on the Digital Scriptorium homepage and throughout the site are from Berkeley, University of California, Bancroft Library, UCB 059.

Jane Austen’s fiction manuscripts are the first significant body of holograph evidence surviving for any British novelist. They represent every stage of her writing career and a variety of physical states: working drafts, fair copies, and handwritten publications for private circulation. The manuscripts were held in a single collection until 1845, when at her sister Cassandra’s death they were dispersed among family members, with a second major dispersal, to public institutions and private collections, in the 1920s.1 Digitization enables their virtual reunification and will provides scholars with the first opportunity to make simultaneous ocular comparison of their different physical and conceptual states; it will facilitate intimate and systematic study of Austen’s working practices across her career, a remarkably neglected area of scholarship within the huge, world-wide Austen critical industry.

Many of the Austen manuscripts are frail; open and sustained access has long been impossible for conservation and location reasons. Digitization at this stage in their lives not only offers the opportunity for the virtual reunification of a key manuscript resource, it will also be accompanied by a record in as complete a form as possible of the conservation history and current material state of these manuscripts to assist their future conservation.

The digital edition will include in the first instance all Jane Austen’s known fiction manuscripts and any ancillary materials held with them, as follows:

Volume the First
Bodleian Library, Oxford
Volume the Second
British Library, London
Volume the Third
British Library, London
Lady Susan
Pierpont Morgan Library, New York
The Watsons
Pierpont Morgan Library, New York
The Watsons
in private ownership; on deposit at Queen Mary, University of London
Notes
‘Plan of a Novel’ + 2 holograph notes (Pierpont Morgan Library, New York)
Opinions
‘Opinions of Mansfield Park’ and ‘Opinions of Emma’ (British Library, London)
Persuasion
British Library, London
Sanditon
King’s College, Cambridge