Film 451 Religion and Film (Carr)

Explore the philosophy at the core of the apocalyptic future of Mad Max Beneath the stylized violence and thrilling car crashes, the Mad Max films consider universal questions about the nature of human life, order and anarchy, justice and moral responsibility, society and technology, and ultimately, human redemption.

This is the first full-length exploration of the relationship between religion, film, and ideology. It shows how religion is imagined, constructed, and interpreted in film and film criticism. The films analyzed include The Last Jedi, Terminator, Cloud Atlas, Darjeeling Limited, Hellboy, The Revenant, Religulous, and The Secret of my Success.

The remarkable commercial success of Mel Gibson's The Passion of the Christ in 2004 came as a surprise to the Hollywood establishment, particularly considering the film's failure to find production funding through a major studio. Since then the Biblical epic, long thought dead in terms of mainstream marketability, has become a viable product. This collection examines the new wave of the genre, which includes such varied examples as Darren Aronofsky's Noah (2014) and Ridley Scott's Exodus: Gods and Kings (2014), along with the telenovelas of Latin America.

Film and Faith: Modern Cinema and the Struggle to Believe explores religious themes in contemporary film with a focus on recent depictions of religion's continuing manifestations in a secularizing age.