ENG 380 Anglo-American literature (International Programs): Home

Atlantic Republic traces the legacy of the United States both as a place and as an idea in the work of English writers from 1776 to the present day. By ranging over writers from Richard Price and Susanna Rowson in the 1790s to Angela Carter and Salman Rushdie at the turn of the twenty-first century, the book argues that America haunts the English literary tradition as a parallel space where ideology and aesthetics are configured differently. Consequently, it suggests, many of the key episodes in British history--parliamentary reform in the 1830s, the imperial designs of the Victorian era, the twentieth-century conflict with fascism, the advance of globalization since 1980--have been shaped by implicit dialogues with American cultural models. Rather than simply reinforcing the benign myth of a "special relationship," Paul Giles considers how various English writers over the past 200 years have engaged with America for various complicated reasons: its promise of political republicanism (Byron, Mary Shelley); its emphasis on religious disestablishment (Clough, Gissing); its prospect of pastoral regeneration (Ruxton, Lawrence); its vision of scientific futurism (Huxley, Ballard). The book also analyzes the complex cultural relations between Britain and the United States around the time of the Second World War, suggesting that writers such as Wodehouse, Isherwood, and Auden understood the United States and Germany to offer alternative versions of the kind of technological modernity that appeared equally hostile to traditional forms of English culture. The book ends with a consideration of ways in which the canon of English literature might appear in a different light if seen from a transnational rather than a familiar national perspective.

American literature is typically seen as something that inspired its own conception and that sprang into being as a cultural offshoot of America's desire for national identity. But what of the vast precedent established by English literature, which was a major American import between 1750 and 1850? In The Importance of Feeling English, Leonard Tennenhouse revisits the landscape of early American literature and radically revises its features. Using the concept of transatlantic circulation, he shows how some of the first American authors--from poets such as Timothy Dwight and Philip Freneau to novelists like William Hill Brown and Charles Brockden Brown--applied their newfound perspective to pre-existing British literary models. These American "re-writings" would in turn inspire native British authors such as Jane Austen and Horace Walpole to reconsider their own ideas of subject, household, and nation. The enduring nature of these literary exchanges dramatically recasts early American literature as a literature of diaspora, Tennenhouse argues--and what made the settlers' writings distinctly and indelibly American was precisely their insistence on reproducing Englishness, on making English identity portable and adaptable. Written in an incisive and illuminating style, The Importance of Feeling English reveals the complex roots of American literature, and shows how its transatlantic movement aided and abetted the modernization of Anglophone culture at large.

Owing to the diverse research interests of the contributors, this collection of essays offers a varied picture of the current approaches to Anglo-American literature and culture, and points to the need for a deeper understanding of current cultural, economic and social processes in the globalizing and globalized culture of the West.